I'll have a few works on paper and one painting in a group show at Salud y Amor in Roslyn, NY. February 1 - 29th, 2020 Opening reception is Saturday February 1, from 7-9pm.
Friday, January 31, 2020
Sunday, March 31, 2019
Black Mirror and Other Third World Reflections: Selections from the Mario Cader-Frech Collection. Curated by Claire Bruekel. Images courtesy of YES Contemporary and Mateo Serna.
Great to see installation images of my vinyl record sculptures from the exhibition "Black Mirror" at Florida Atlantic University. Also happy that they are going to its new home in Miami. Hopefully they will be shown in other exhibitions sometime in the future.
The exhibition "Black Mirror" is curated by Claire Breukel from the Mario Cader-Frech Collection, part of the YES Contemporary Art Loan Program. The loan program makes ambitious contemporary artwork by El Salvador's most celebrated artists more easily available for exhibition.
Monday, February 11, 2019
Black Mirror and Other Third World Reflections: Selections from the Mario Cader-Frech Collection. Curated by Claire Bruekel.
Super excited to be included in such a great collection and exhibition with so many great artists. Black Mirror and Other Third World Refections opens this thursday Feb 14th at Florida Atlantic University. Reception is from 6:30 - 8pm with an artist talk at 7pm. Wish that i could have made the opening. (sigh) Stop by if your in the hood! The exhibition is on view through April 6th.
Saturday, December 8, 2018
Y.ES Contemporary Art Loan Program Program. Photos courtesy of Y.ES
Had the privilege to speak a little about my work during a curators breakfast hosted by Y.ES during Art Basel Miami Beach. The Y.ES Contemporary Art Loan Program includes work from The Mario Cader-Frech Art Collection. Spaces represented included Tate Modern, New Museum, MoCA LA, The Andy Warhol Museum, SCAD, The Oaklahoma Contemporary Art Center, Wolfsonian - FIU, The Phillip and Patricia Frost Art Museum, Florida Atlantic University Galleries, Christies, Coachella, Shin Gallery, White Cube, Commonwealth and Council. Independent curators Nazy Nazhand, Alejandro de Villota, and Ombretta Agro Andruff. Many thanks to curator Claire Breukel and collector Mario Cader-Frech for the invitation!
Friday, November 23, 2018
A Concrete Movement I - VI
Detail view of one of six colored vinyl record sculptures for an exhibition at Florida Atlantic University in February 2019. The exhibition "Black Mirror" is curated by Claire Breukel from the Mario Cader-Frech Collection, part of the YES Contemporary Art Loan Program. The loan program makes ambitious contemporary artwork by El Salvador's most celebrated artists more easily available for exhibition. More details to come soon....
Wednesday, May 2, 2018
Excited to be includes in this exhibition. Opening Reception: Sunday, May 6, 4-6 pm. Curated by Marc Straus, Marc Straus Gallery and Paola Morsiani, Brodsky Center at Rutgers University.
EXHIBITING ARTISTS INCLUDE
Pamela J. Wallace
Wednesday, January 24, 2018
Excited to have a few of my microphone and vinyl record sculptures on view at El Museo de Arte de El Salvador. Curated by Salvadoran based artist Simón Vega and Rafael Alas Vásquez. The exhibition is in the Grand Sala of the museum and will be on view until 2022! Check out the link for more info on the exhibition.
Saturday, March 11, 2017
20 Eyes in My Head, curated by Chris Bors and Nicolas Touron @ SPRING/BREAK Art Show
Excited to have work at the SPRING/BREAK Art Show in "20 Eyes in My Head" curated by Chris Bors and Nicolas Touron, Floor 23, Room 48. The show includes great work by Gustavo Prado, Michael Pybus, Janice Sloane, Xavier Deshoulieres, Noah Becker, Nina Bovasso, Nils Karsten, Chris Bors and Nicolas Touron.
Friday, January 13, 2017
Studio Views - KASE Paintings
I've been cooking up new work for the last year experimenting with new materials and techniques. A new body of work separate from my hard edge paintings of the last few years but along similar lines. A totally different process as a means or approach to abstract painting. Unlike my hard edge paintings that are made on stretched canvas over wood panel, these new pieces are straight up stretched canvas. The application of paint is done in a combination of color washes and graffiti marks that are then completely removed using graffiti remover with additional paint colors layer on top.
The removal of the paint is aggressive so at times I end up with traces of the strainer visible on the surface from the pressure on the canvas. I also add spots of paint spatter and or collage bits of paint skins onto the surface. Each piece has it's own custom frame that function as an additional contextualizing element separate to the function of a traditional frame which is meant to aethetisize a work of art. The frames are raw wood with visible holes and or wood patches, rubbed with floor wax or stained with graffiti Krink ink, spray primers, car bondo, etc.
It's taken a while to figure this work out conceptually but now I'm at the stage that I feel confortable with where it's headed. It's all steam ahead for 2017, I'm excited!
Saturday, December 3, 2016
The Flat File Show, Matteawan Gallery, Beacon, NY
I have these two work on paper studies from 2014 in the "Flat File Show" at Matteawan Gallery. The exhibition consists of all works on paper by a group of outstanding artists that include: Christopher Albert, Gabe Brown, Marieken Cochius, Susan English, Valerie Hegarty, Thomas Huber, Katelin Kirby, Greg Slick, Wendy Small, S. Gayle Stevens, Krista Svalbonas, Dominick Talvacchio, Kazumi Tanaka, August Ventimiglia, Susan Walsh, and Eleanor White.
The show runs from Nov 8th though December 18, 2016.
Wednesday, July 13, 2016
Lichtundfire’s “Raid Envy” Group Show Curated by D. Dominick Lombardi
*All Photos courtesy of Lichtundfire Gallery.
Wednesday, July 6, 2016
Monday, January 4, 2016
Note: A quote from a book that I just finished reading.
"With Graffiti we encounter yet another form of heterogeneity within the field of representation, one that relates to the invasive nature of this type of mark, its criminal character, so to speak, the fact that it is defined by being a violation by the marker of a space that belongs not to him but to another. Thus, no matter what the iconic character of the configuration, the graffiti mark is, like a photograph, always structured indexically, as the trace of the marker's passage, a trace that is therefore always a signature, a sign whose signified always reads, "Kilroy was here; I was here."
-Rosalind J. Krauss (Perpetual Inventory)
Studio View 2016
Looking forward to the New Year! Many things are happening in the studio, none that I've shared on social media yet. I'm working on a number of other work that still incorporate the tags but are vastly different that the cross over pieces of the last couple of years. These involve the use of grids and monochromes with just hints of the tags visible. I plan on showcasing these pieces along side my evolving Hard Edge paintings.
Monday, October 19, 2015
This is an art installation piece I made for the new Sugarhill Children's Museum exhibition titled "Txt: art, language, media". It consists of baseball caps made from book pages on the history of the Harlem Renaissance. Each hand stitched to form the baseball caps. The wall mounted caps have images of the neighborhood as it looked in the early part of the century.
Monday, July 27, 2015
These are installation views of my work in the exhibition Cut N' Mix curated by Rocio Aranda-Alvarado at El Museo del Barrio. The exhibition is on view through October 17, 2015.
Thursday, July 23, 2015
Cut N' Mix: Contemporary Collage at El Museo del Barrio, 2015
On view July 22, 2015 – October 17, 2015
Excited to have these six pieces included in the exhibition "Cut N' Paste: Contemporary Collage" curated by Rocio Aranda-Alvarado at El Museo del Barrio. "This exhibition explores the work of artists experimenting with collage and collage techniques in ways that expand the gestures of cutting paper and mixing various mediums together. It takes as its point of departure some of the concepts from Dick Hebdidge’s series of essays collectively titled Cut N Mix: Culture, Identity and Caribbean Music, published in 1980. In this text, Hebdidge explored the variations of Caribbean reggae and dancehall and other related styles of music as emblematic markers of Caribbean ideas of nationhood, belonging, and the making of culture."
Participating Artists: Elia Alba, Jesse Amado, Blanka Amezkua, Javier Barrera, Maria Berrio, Cecilia Biagini, Michael Paul Britto, José Camacho, Karlos Carcamo, Nat Castañeda, Gaby Collins-Fernandez, Matias Cuevas, Rafael Ferrer, Roger Gaitan, Carolina Gomez, Javier Ramirez/NADIE, Carlos Gutierrez Solana, Hector Madera, Glendalys Medina, Alex Nuñez, Catalina Parra, Carlos Rigau, Hernan Rivera Luque, Linda Vallejo, Rafael Vega and Eduardo Velázquez.
Thursday, July 16, 2015
Excavate, 2015 Bent Microphone stands, mic, mirrors, concrete, flake stone, grass seeds.
Recently I had the opportunity to make only my second outdoor sculpture. It's in an exhibition titled "Excavate" at the Century House Historical Society in Rosendale, New York. I decided to title the piece after the show since it's made as a site specific piece for the location. I'm very happy with the way the piece turned out. It's lead me to have ideas for future pieces. Century house is part of the Old Jane Mine on the Snyder Estate. It's an old mine that produced most of the cement in New York such as the Brooklyn Bridge and Statue of Liberty. The show will be up for about 3 months.
Thursday, May 14, 2015
I recently had the chance to install work at 85 Market Street in Newark for a project titled, "Activate Market Street". Organized by Gallery Aferro and curated by artist Jo-El Lopez. This exhibition gave me the opportunity to bring together various work under one theme.